I don’t let the opportunity to hear The Manhattan Transfer slip by me if the group is singing within 60 miles of my home. We were jazzed to score some great seats for their recent performance at the King Center for the Performing Arts in Melbourne, Fl – it might as well have been the first time we heard this incredible quartet exhibit their vocal gymnastics – we sat stunned by their performance, even though we had seen them 6 or so times over the years. 
MT has had the same 4 singers in the lineup for over 30 years, so the accuracy with which they sing is extraordinary. As an ensemble, the sound is exquisite, providing a spot on vocal blend. Individually, the 2 women far outshine the men in performance and talent. Janis Siegel is a wild woman. Even at 57, she still exhibits a more sophisticated version of the same spunky gal from 25 years ago. Over the years, her voice has become one of the group’s most recognizable trademarks. Cheryl Bentyne has a vocal range which defies science. Her sultry low notes are Karen Carpenter-esque and her high notes provide keen competition for dog whistles. Tim Hauser (founder) and Alan Paul each contribute their individual flavor to the ensemble, giving it fullness and body.
Some of our favorite MT songs include “Route 66”, “Soul Food to Go”, “Ray’s Rock House”, “Operator”, and “The Offbeat of Avenues”.
At times during the show, songs called for everyone to get up and dance, but when we looked at the audience behind us, there wasn’t much of a chance of that happening. We very well may have been the youngest kids in the crowd, so we settled for jukein’ in our seats.
Some of their pieces defy traditional harmonic writing causing me to wonder “How the heck do they do that?” Not necessarily something you want to hear a lot of, but enough to solidify one’s appreciation for their excellence at their craft. Their stylings include pop, jazz, rock, Brazilian, a capella, gospel, vocalese, big band and the list goes on. Recently, they recorded some of their old favorites with symphony orchestra, giving the selections a lush character for easy listening.
We’ll be there for the next pass of The Manhattan Transfer through Florida. After 30 years, these remarkable performers have a myriad of songs from which to compose a set list.
MT has had the same 4 singers in the lineup for over 30 years, so the accuracy with which they sing is extraordinary. As an ensemble, the sound is exquisite, providing a spot on vocal blend. Individually, the 2 women far outshine the men in performance and talent. Janis Siegel is a wild woman. Even at 57, she still exhibits a more sophisticated version of the same spunky gal from 25 years ago. Over the years, her voice has become one of the group’s most recognizable trademarks. Cheryl Bentyne has a vocal range which defies science. Her sultry low notes are Karen Carpenter-esque and her high notes provide keen competition for dog whistles. Tim Hauser (founder) and Alan Paul each contribute their individual flavor to the ensemble, giving it fullness and body.
Some of our favorite MT songs include “Route 66”, “Soul Food to Go”, “Ray’s Rock House”, “Operator”, and “The Offbeat of Avenues”.
At times during the show, songs called for everyone to get up and dance, but when we looked at the audience behind us, there wasn’t much of a chance of that happening. We very well may have been the youngest kids in the crowd, so we settled for jukein’ in our seats.Some of their pieces defy traditional harmonic writing causing me to wonder “How the heck do they do that?” Not necessarily something you want to hear a lot of, but enough to solidify one’s appreciation for their excellence at their craft. Their stylings include pop, jazz, rock, Brazilian, a capella, gospel, vocalese, big band and the list goes on. Recently, they recorded some of their old favorites with symphony orchestra, giving the selections a lush character for easy listening.
We’ll be there for the next pass of The Manhattan Transfer through Florida. After 30 years, these remarkable performers have a myriad of songs from which to compose a set list.
